The Abyss
AN ORIGINAL SCREENPLAY
BY
JAMES CAMERON
August 2, 1988
Directors Revision
THE ABYSS
OMITTED 1
OMITTED 2
TITLE: THE ABYSS -- ON BLACK, DISSOLVING TO COBALT BLUE
EXT. OCEAN/UNDERWATER -- DAY 3
Blue, deep and featureless, the twilight of five hundred feet down.
PROPELLER SOUND. Materializing out of the blue limbo is the enormous but
sleek form of an Ohio-class SSBN ballistic missile submar
dive naked?
In the bathtub, in the hotel?
Gail, look!
Look at this.
What is it?
I dont know.
It looks like a coin.
Im gonna take a shower.
Okay, baby.
Goliath? I thought you said you were diving on the Brighton.
We did dive the Brighton.
Then we spotted that wreck, so we decided wed take a look.
It wasnt in the guidebook.
Youre damn right its not. Goliath is full of munitions.
Tourists arent allo
Fear And Loathing In Las Vegas Script
[ Woman ]~ Raindrops on roses ~
~ And whiskers on kittens ~
~ Bright copper kettles ~
~ And warm woolen mittens ~
~ Brown paper packages ~
~ Tied up with string ~
~ These are a few ~
~ Of my favorite things ~
[ Duke Narrating ]We were somewhere aroundBarstow, on the edge of the desert...
when the drugsbegan to take hold.
[ Duke ]I remember saying something li
Alright so this is the world and there are five billion people on it. When I was a kid there were three. Its hard to keep up.
AMERICA FROM SPACE
The great continent through mist and swirling skies. (Satellites and other pieces of skycasting equipment float by.)
JERRYS VOICE
Thats better. Thats america. See, America still sets the tone for the world...
KID ON BASKETBALL COURT
A puberty-ravaged kid
Night Moves Script
Beep. How I hate these goddamn machines.
Its Nick, babe. I got one for you, Har.
Needs a real live detective
and not one of our computers.
Its a lady called Arlene Iverson.
Sunset Plaza.
Looking to get her daughter home.
Shes an old friend. Used to be
in the movies. Maybe you remember.
If you take the job, stop by the office.
Ill give you what stuff we have on Arlene.
Bye-bye,
Cuban airspace in minutes.
- He hasnt got away yet.
- What the hell are you doing?
- Lets go fishing!
Forward. Forward.
Easy. Hold it. Back up. Back up.
Forward now.
Hold it.
Bring him in. Take the load.
Whooee!
Lets go, James!
James! Your hat.
Thank you.
Youre facin felony counts, Sanchez.
Why, thats... years.
Even one of your famous million-dollar
bribes cant get you out of this one.
Two.
What?
1492: CONQUEST OF PARADISE
??
by
Roselyne Bosch
REVISED
September 23, 1991
??
??
FADE IN:
CREDITS AND MUSIC OVER:
INT. AUDIENCE ROOM - GRANADA - DAY
We start on a mans elegant slipper. He is seated in a
splendid chair. Moving up the stocking leg, we pass the
garter of Castile, coming to rest on a pair of delicate
hands. His fore finger impatiently plays with a large
topaz ring. Over this, we hear
Tomorrow Never Dies
Screenplay
by
Bruce Feirstein
(for educational purposes only)
FADE IN ON:
EXT. DESOLATE MOUNTAIN RANGE - HIGH ANGLE - DAWN
Super: THE KHYBER PASS, AFGHANISTAN
Were looking down at what used to be called "The End of the Known
World." A landscape that is both beautiful, and forbidding.
In the center of this vista, there is a deep ravine.
Pushing in on the ravine, there appears t
Krypton, is empty for the moment. But the signs of its members are ever-present: around the great floating slab that is their conference table each has his (or her) own console of crystals - a transparent container marked with the identifying insignia, c.f. the symbols on each of their robes in Part I.
As Non and Ursa follow two paces behind. Zod strides along the slab, ignoring console after con
Last Tango In Paris Script
Fucking God!
- A phone token, please.
- No tokens. At the end, on the left.
Maman? Yes, its Jeanne.
Ive found a flat to rent in Passy.
Im going to see it.
Then Ive got to go to the station
to meet Tom. I promised him.
OK, see you later. Bye!
Ive come to see the flat. I saw the sign.
- The sign?
- Yes.
Its always the same!
Nobody ever tells me anything.
- Id like to see